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This allows the user to manipulate up to eight of Massive X’s macros at once with a single hand, making rhythmic manipulation of the sounds much more varied and physically intuitive.

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While anyone can open these free presets directly in Massive X, Touché and Touché SE owners can open them Expressive E’s Lié plugin host software. The devices’ four-axis control surface offers the highest degree of touch and pressure sensitivity for both the most subtle and the most aggressive parameter changes.

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On the other hand if you care about having more control options at your disposal while performing or recording - perhaps you compose for film or TV or produce music on a regular basis - then Touché offers you an extra set of tools to lay down the perfect take first go.Owners of an Expressive E Touché or Touché SE controller will have an even more precise and supremely tactile experience with these sounds. If you’re the type who’d rather input some notes with a keyboard and then draw in MIDI control automation in a more surgical manner, after the fact, Touché probably isn’t for you. Especially for people who care about getting the most from their virtual instruments either on stage or in the studio. But how much value does it have once the novelty wears off? A lot, I say. The whole experience is both fun and functional.

Keyswitching and button pushing becomes largely unnecessary when you have this much tonal control under your palm.

Tapping the surface mimics a bow striking the strings, or you can emulate long legato bowed notes by pumping the surface like it’s the bellows of an accordion. I found Arché a great primer to get comfortable using the Touché as a performance controller.Īssigning the Bow control to the Touché heel while twiddling vibrato with left/right movement lets you rest one hand on the Touché and another on a keyboard, offering an enormous amount of dynamic expression in quite a natural-feeling manner. When you load up any of the three instruments in Lié, you can assign Arché-specific control options to Touché’s physical movements - things like Bow, Vibrato Gain, Vibrato Frequency. With Lié you can also configure Touché’s CV and MIDI outputs and a number of mapping presets come included for various hardware synths.Įarly this year, Expressive E released Arché, a suite of three stringed instruments (violin, viola, cello) designed specifically for use with the Touché controller. The left/right buttons at the bottom of Touché let you move through presets. Lié scans your drives for all of your virtual instruments and can host them individually within the software, a bit like how Kontakt hosts sample libraries.

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Once installed, it’ll let you know if the connected Touché has the latest firmware and download it if not.

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Lié is Expressive E’s control software which partners with Touché. Expressive E’s budget version, Touché SE, comes with just a USB connection. Touché has a USB connection for use with a computer along with four CV outputs to hook it up to your analogue synths or modular setup. The pad is sprung from underneath and rocks backward and forward, as well as sliding from left to right, each with a few centimetres of travel. The oval-shaped mahogany wooden pad forms the primary medium of expressive input and is slightly shorter than the length of my hand. Instead, Touché is built around a single contact surface with both directional information and pressure sensitivity. It makes a departure from more common ergonomics like faders, ribbon sliders or wheels. The Touché is a solution that offers expressive control in a unique format. If you can tweak more of these controls in real-time, it makes for a more articulate and colourful performance. Two, however, is often insufficient for the numerous expressive controls found on today’s virtual instruments.

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Most off-the-shelf MIDI keyboards offer control over two such parameters by way of the pitch and mod wheels. The second is the input of control information to manipulate the instrument using the various MIDI CC parameters available to you.

The first, of course, is the input of MIDI notes to play the instrument. There are two sides to getting the most from a virtual instrument. It’s not often we get to review something that doesn’t quite fit the mould of an established product category - the last thing that came close would be ROLI’s unique family of keyboards - but it’s always fun when we get our hands on something truly fresh like the Touché. MIDI controllers come in all shapes and sizes but I reckon you’ve never seen one like the Touché.